Patric Catani, music producer and composer, lives and works in Berlin. In his twenty years career he produced around 90 LPs for different projects and bands, including production and (re)mix work for Ill Till & Xberg Dhirty6 Cru, Puppetmastaz, Fraktus, Driver&Driver, Bonaparte, Angie Reed, Chilly Gonzales, and released on labels like Wordsound, Grand Royal (USA), Shitkatapult, Sonig, Mille Plateux, Gagarin Records and Beat Ink (Japan).
Over the years, he constantly expanded his universe, and produced theater music for Johan Simons at Volksbühne Berlin, Münchner Kammerspiele, ZT Hollandia and “Elementary Particles” at Theater Freiburg. Furthermore, he composed several soundtracks for film, audio plays and video games.
In cooperation with Chris Imler and the artist Jorinde Voigt, he also produced the dolby surround sound installation “Lemniscate” at the Robert Wilson Institute / Watermill Center in Long Island / New York.
Catani in the public eye – check out the press section –
Patric Catani got involved with electronic music after discovering the computer game music of the Commodore64 games, Bomb the Bass (Beat Dis), Public Enemy and other Electronic, Dance + Rap music of the mid- late 80s. After a passionate time of ripping his favourite music out of games, he moved on with using the old homecomputers for programming and sequencing his own sounds. Always being fascinated by unusual sounds, melodies and scratching, his way went straight to the early Techno, Breakbeat and Acid Hardcore Music which got played on certain Rave Parties like e.g. Cosmic Orgasm at that time.
Coming to Berlin the first time in 1993 he immediately fell in love with the city but it took a while and a few further stations until he finally moved there in 1995. The AK-78 DAT for DHR in the pocket he went to play the Bass Terror night in the Eimer Squad Berlin. The Night was the ignition of a new music movement that rapidly spread all over the globe. The DHR crew slowly started to grow together and with his old Music friends Dj Moonraker and Joel Amaretto he lived in the outer suburb called Spandau doing track by track by track .. Right after his move he found with Gina V. D´Orio (Cobra Killer) the band EC8OR and lived the 90s Haze in full effect.
A few months later the EC8OR LP was already finished and a time of heavy touring and excess started. EC8OR did 3 LPs and several Eps and side releases, one Album and two singles were licensed by the Beastie Boys for Grand Royal Records and they toured the States, Japan, opened up for The Prodigy in Tokyo EC8OR left their mark wherever it was possible. Besides that Patric still did Hardcore and more experimental Records for different Underground labels and even started the Label Spite with M.Z. In 1996.
In 1997 he produced “The Horrible Plans of Flex Busterman” and did many Solo Releases. He got involved with Mille Plateaux / Force Inc around that time and they released a few of his songs on some of the Electric Ladyland Compilations.
With Candie Hank he could create his own musical isle and even started to play shows secretly in the beginning not telling people that it´s him. Playing the first Concert in Berlin with Daelek and Angie Reed at their regularily self promoted Audio Chocolate nights, people were wondering where Patric went.. This way he could manage to get a new open minded circle of listeners and it turned out to be the ace up his sleeve.